Hunger Wins Best Underground Film


On November 1, 2007 the FAIF International Film Festival (Foundation for the Advancement of Independent Film), held the West Coast premiere of HUNGER as an Official Selection and Closing Night Film for their 2007 festival in Downtown Disney, Anaheim, CA.

Writer/Director Maria Giese and Actor/Producer Joseph Culp presented their no-budget, feature-length digital film adaptation of the classic 1890 novel by Nobel laureate, Knut Hamsun at the AMC 12 theater and engaged in a lively Q & A afterward. The film’s editor Sam Citron and production designer Joshua Culp were also in attendance.

“HUNGER” won “Best Underground Film” at the awards ceremony the next day. Giese and Culp both agreed that screening at Disneyland was a wonderful opportunity and appreciated the irony that the ultimate story of the Starving Artist was being exhibited at Disneyland, “The Happiest Place on Earth”!

At the Disneyland screening, one audience member said of the film: “It's the best guerrilla filmmaking I have ever seen and trust me, I've seen a lot. I'll stack Hunger up against anything, Hollywood-- big budget, low budget - it SINGS!"

 

Filmmaker Pericles Lewnes (Loop) called the film “Tremendous. Hunger was the crown jewel of the festival. With the precise direction of Maria Giese, a PERFECT performance by Joseph Culp, and a splendid score from Emmy winner Trevor Morris and the studio of Hans Zimmer, Hunger transcended everything it had going against it and is a true guerrilla masterpiece. That is no slight. It was as guerrilla as a movie can get-- it can stand tall with anything made by a studio or major independent. Hunger brought back memories of Jarmusch, Hartley, and Nick Gomez, but it was better. I recommend Hunger with great confidence to anyone who wants an enjoyable, meaningful, magical cinematic experience…”

Critic/Screenwriter, Cyndi Kennedy wrote that “Joseph Culp's brilliant portrayal of the down-and-out screenwriter is nothing less than Chaplinesque-- the character he gives us is at once endearing, annoying, pathetic, and deeply profound.

“Hunger is a parable of the human ego as its main character makes the agonizing journey to confront reality, both on the gritty level of survival and on the more esoteric level, which Andrew Harvey, the great Sufi scholar, describes as the place where the soul is, "burnt alive (...) mocked, derided, lacerated, opened up by visionary ecstasy…

“Passionate and agonizing… (Hunger is) …a thrilling and visually beautiful rendering of a profound truth. Director Maria Giese gets credit, not only for recognizing the beauty of the message of Knut Hamsun's masterpiece, but for bringing it to the screen in such an alarming, visceral, scrappy way (scrappy, not in the sense of ‘fragmented’, but in the sense of ‘fighting spirit’).

“This is a movie for anyone who has dug deeply into the pockets of the soul and come up empty-handed. That would be all of us… Hunger echoes the words of the great poet (one of the best friends of director Giese’s grandfather), Hart Crane, in his poem Chaplinesque:

We will make our meek adjustments, Contented with such random consolations
As the wind deposits
In slithered and too ample pockets.
For we can still love the world, who find
A famished kitten on the step, and know Recesses for it from the fury of the street.
Or warm torn elbow coverts.