Based on Nobel laureate Knut Hamsun's 1890 existentialist masterpiece, this “Hunger” replaces turn-of-the-century Oslo with millennial Los Angeles with striking aptness.

Charlie Pontus (Joseph Culp) is an out-of-work screenwriter (is there any other kind?). Evicted from his hotel room, penniless Pontus wanders the streets of LA, alternately exhorting and condemning God and Man, while scribbling screen treatments on yellow legal pads and trying to sell his few tattered possessions for food money.

Poor Pontus, though, is cursed with an almost saint-like selflessness which compels him to put his fellow homeless travelers before himself, further dooming him to starvation and the twisted clarity hunger brings. Pontus' newest treatment catches the eye of a studio chief (a furious cameo by Joseph's father Robert Culp), and he struggles to crank out the script while battered by celestial visions and his longing for a beautiful streetwalker.

Joseph Culp's exquisitely naked performance and writer/director Giese's ragged, guerilla-video style add immeasurably to the bracing austerity of the film, charging it with all the primitive beauty of an ancient Russian icon painting. It's a powerful, compassionate and astringently funny view of street-level life and an artist's struggle that lingers long after it's over.

- San Francisco Independent Film Festival

 

The Guerilla Spirit is Alive - San Francisco Indie Fest

The “pick of the pack” is a shot-on-video wonder, Maria Giese's “Hunger”. Based on the 1890 novel (“Hunger”) by Knut Hamsun but updated for the 21st century, the movie follows an out-of-work genius screenwriter named Charlie (remarkably played by Joseph Culp) around the streets of Los Angeles.
Unable to pay rent or even buy food, he leads the life of the homeless, his hopes resting on the sale of his latest screenplay and the smile of a lovely mystery woman (Kathleen Luong) who keeps popping up. Charlie's odyssey becomes increasingly existential as he grows hungrier and contemplates fate and the existence of God. Culp's father, Robert ("Columbo"), appears as a studio head called "The Chief." Giese's lovely pacing and Joseph Culp's agreeable performance make this one a champion.