Based
on Nobel laureate Knut Hamsun's 1890 existentialist masterpiece,
this “Hunger” replaces turn-of-the-century Oslo
with millennial Los Angeles with striking aptness.
Charlie
Pontus (Joseph Culp) is an out-of-work screenwriter (is there
any other kind?). Evicted from his hotel room, penniless Pontus
wanders the streets of LA, alternately exhorting and condemning
God and Man, while scribbling screen treatments on yellow legal
pads and trying to sell his few tattered possessions for food
money.
Poor
Pontus, though, is cursed with an almost saint-like selflessness
which compels him to put his fellow homeless travelers before
himself, further dooming him to starvation and the twisted clarity
hunger brings. Pontus' newest treatment catches the eye of a
studio chief (a furious cameo by Joseph's father Robert Culp),
and he struggles to crank out the script while battered by celestial
visions and his longing for a beautiful streetwalker.
Joseph
Culp's exquisitely naked performance and writer/director Giese's
ragged, guerilla-video style add immeasurably to the bracing
austerity of the film, charging it with all the primitive beauty
of an ancient Russian icon painting. It's a powerful, compassionate
and astringently funny view of street-level life and an artist's
struggle that lingers long after it's over.
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San Francisco Independent Film Festival
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The
Guerilla Spirit is Alive - San Francisco Indie Fest
The
“pick of the pack” is a shot-on-video wonder,
Maria Giese's “Hunger”. Based on the 1890
novel (“Hunger”) by Knut Hamsun but updated
for the 21st century, the movie follows an out-of-work
genius screenwriter named Charlie (remarkably played by
Joseph Culp) around the streets of Los Angeles.
Unable to pay rent or even buy food, he leads the life
of the homeless, his hopes resting on the sale of his
latest screenplay and the smile of a lovely mystery woman
(Kathleen Luong) who keeps popping up. Charlie's odyssey
becomes increasingly existential as he grows hungrier
and contemplates fate and the existence of God. Culp's
father, Robert ("Columbo"), appears as a studio
head called "The Chief." Giese's lovely pacing
and Joseph Culp's agreeable performance make this one
a champion.
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